Showing posts with label Luxembourg Gardens. Show all posts
Showing posts with label Luxembourg Gardens. Show all posts

Saturday, March 10, 2012


 Luxembourg Gardens:  Finally sunshine    M Blair PESSEMIER   Acrylic on canvas  9 x 16 inches 
Luxembourg Gardens: Photo op   Laurie Fox Pessemier  Acrylic on wood  5 x 13 inches  
 Luxembourg Gardens:  Woman w/terrier   Laurie Fox PESSEMIER  Acrylic on wood  6.5 x 10 inches 
 Luxembourg Gardens:  Orange pants    Laurie Fox PESSEMIER   Acrylic on wood 6 x 10 inches 



Bois de Boulogne:  Fur and Boots Laurie fox PESSEMIER  Acrylic on wood 6.5 x 10 inches  SOLD

Sunday, February 19, 2012

 Luxembourg Gardens Sunning February    Laurie Fox Pessemier   Acrylic on wood  12.5 x 7 w 
 Luxembourg Gardens Tree February    Laurie Fox Pessemier   Acrylic on wood  13 x 6.5 inches 
Luxembourg Gardens Statue    Blair Pessemier  Acrylic on wood 13 x 5.5 inches  SOLD

Sunday, February 05, 2012


Blair PESSEMIER Luxembourg Gardens Medici Fountain in Winter Oil on linen 10.5 x 16 inches
Blair PESSEMIER Luxembourg Gardens: Ice Oil on linen 16 x 20 inches   SOLD
  Laurie Fox PESSEMIER Luxembourg Gardens: Bleak Midwinter Pink Light Acrylic on canvas 9.5 x 14 inches
 Laurie Fox PESSEMIER From the roof of PRINTEMPS Acrylic on canvas panel 12 x 12 inches   SOLD

Saturday, December 03, 2011

 Luxembourg Gardens:  Pan     M. Blair PESSEMIER    Oil on canvas  18 x 21  $450.00
 Thanksgiving trees    Laurie FOX Pessemier   Acrylic on canvas  12 x 12 inches 

Artnotes:  Home for the Holiday

Artnotes and painting fell by the wayside as I flew to Connecticut for the holiday.  It’s our first Thanksgiving without my Mom, and everyone was a little blue – so Blair found me a very cheap flight to Connecticut, where I was able to spread a little holiday cheer.

It was perhaps the worst flight of my life – on the new airbus 380.  Once nestled in seat 49F, on the ground floor, I tucked my arms into the seatbelt to keep them from flopping onto my neighbors.  King Kong, seated to my left, was not as thoughtful.  A matchstick girl on my right, who had been en route for more than 40 hours from Kilamanjaro airport, was friendlier – bumping into one another was ok, actually a comfort among the 582 passengers on board, 10 across.

The air was so thin, there was a request for “a doctor” as another passenger seemed to be having a heart attack.  I had difficulty breathing, and when the panic set in I realized we were pitifully deprived of oxygen.  Moments after the medical call, puffs of O2 burst forth from the air handling system and I could once again think clearly.   The lady beside me told me how she loved Africa – she’d been there as a volunteer in Tanzinia.  “I spent 8 hours sleeping on the floor of the airport in Sudan due to a delay – no lights, no services,” she told me, “and then to arrive in Paris to buy a 10 euro sandwich was such a contrast!”

It took 30 minutes to get the plane docked after landing (we needed a special tractor to bring us to the gate), and another half hour to get us all off.   “Welcome home,” the passport agent greeted me.

I hopped on the Connecticut Limo with ease.  It was already full, and I had to squeeze in next to a slightly smelly man with an Eastern European accent.  A French guy from my flight perched on the edge of the seat next to me.

We stopped at another terminal for one more.  A large, long-haired fellow up front threatened to “drop” the driver, speaking loudly into his cell phone, if we didn’t get underway at once.  The girl next to him seemed embarrassed.  The Indian we picked up had six suitcases.  There were groans of outrage in the van.  The French guy and I visited about how we liked New York at Christmas.  “Where are you getting off?” he asked.

The Frenchman moved back to the widest row, to the dismay of the very round couple, dressed in fur with piggy eyes, ensconced there,.  The Indian then sat beside me.   All the way home, the Eastern European was poking me in the ribs – “we’re driving too fast”, he’d hiss.    I wished for a seatbelt.

While the driver was arranging the six bags in the rear of the car, a radio reporter interviewed a woman at a New Jersey turnpike rest stop.  “Yes,” she said enthusiastically, “we’ve got four adults and a chihauhua in this car.  But I kind of like it, lots of conversation.” 

“Like us,” I told our group, “it’s what the holidays are all about”.   You could have heard a pin drop.
The Frenchman and the “tough” longhair debarked in Greenwich.  My smelly seatmate got off in Shelton.  I wished the round woman in her fur coat a Happy Thanksgiving as her husband chided her “don’t fall” as she stumbled out of the car in Middlebury.  “We’ll be alright now,” she told me, “now that we are almost home.”


Luxembourg Gardens Boules November   Blair PESSEMIER   Oil on canvas  9.5 x 12 inches  $450.00

Saturday, November 12, 2011

 Port en Bessin Green Light  Blair PESSEMIER   Acrylic on canvas  16 x 20 inches  $450.00 SOLD
Port en Bessin  Red Light Green Light    Laurie FOX Pessemier  Acrylic on canvas  12 x 12 inches  $325.00  SOLD

 Boulevard Raspail  Laurie FOX PESSEMIER   Acrylic on wood  10 x 6 inches   $200.00


 

Luxembourg Gardens:  Trees Guynemer  Laurie FOX Pessemier   Acrylic on canvas  12 x 12 inches 

 Driving home at night   Laurie FOX Pessemier  Acrylic on canvas  12 x 12 inches  SOLD

Artnotes:  Remembrance

“Les Marines de Port-en-Bessin” the invitation read, “10 Novembre 2011”.  Blair and I and our old friend Quentin had an expo in Port-en-Bessin in February 2005.  At that time, the museum/cultural center took one of each of our nautical scenes.  And for the next two weeks those paintings are once again on exhibit in this historic World War II town on the Normandy Coast.
We couldn’t pass up the chance to go the the vernissage, the following night.  We rented a car and cast out at 9:30 AM the next morning.   Harika was in complete agreement --  another opportunity to play on the beach.  Whooppeee! 
We sat down for a lunch of mussels and lamb chops at a beachside restaurant in Trouville, about 25 miles from Port-en-Bessin.  Trouville has a long, sandy beach, and men were paddling on surfboards as the tide receded.  Harika frolicked on the sand as we ate outdoors.  It was brilliantly sunny, counteracting the nip in the air.   In mid-afternoon we drove West to Port-en-Bessin, where we would paint. 
It was the most wonderful day, with a super low tide.  We could see remnants of World War II wrecks, and could walk out nearly to the end of the jetties at Port-en-Bessin.   Men were harvesting pentoncles (bay scallops), with wooden-handled nets.   Some were in giant boots, others bare-legged in the icy sea.
Blair painted from above, but Harika and I opted to sit  by the water.  A short while into the painting we were chased off the beach by the arrival of a pit-bull:   he sent the two of us plunging, me in my good shoes, across fields of seaweed alive with sea snails.  Paints and canvas akimbo, Harika leaping, we made quite a site.    I could imagine the other dog snickering at us from behind.
One half of the beach at Port-en-Bessin  is the scallop-shell graveyard.  The chalk-on-the-blackboard sound of shells beneath our feet results in Blair carrying Harika over the rough spots.  The other half of the beach (on the other side of the locks which keep the fishing boats afloat) is an enclosed bay – this is where we painted.  The light is extraordinary this late afternoon, and the pools of water amidst the sand are mirrors to the sky.
The last time we showed paintings at Port-en-Bessin the Mayor of the town sang the “Star Spangled Banner”, a cappella, in our honor.  He was there again on Thursday night, but we assured him he didn’t need to sing.  He was cheery as ever, but a tear filled his eye when we informed him of the demise of Q.  Quentin was a veteran of World War II, and participated in memorial festivities in Normandy a couple of times.
It was appropriate to be at such an historic setting as the Normandy beaches on the Eve of Remembrance Day.  There are fewer and fewer witnesses to the big wars of Europe.  Museums, cemeteries and cultural centers keep the flame lit.  In Port-en-Bessin this weekend there was a big scallop festival and circus., in conjunction with Veteran’s day.  We left the vernissage early, to drive back to Paris by night.



Saturday, September 17, 2011

 High heeled Boots   Laurie Fox PESSEMIER  Acrylic on canvas  7 x 13 inches  
Harika in the Park   Laurie Fox PESSEMIER   Acrylic on canvas  10x 16 inches 

Artnotes: Glasses


Our building is framed by neon eyeglasses on both sides.   Going up the hill toward Montparnasse is a pair of red round rim glasses; walking away from our building toward St. Germain are a pair of sea green pince-nez. 
Blair is ordering eyeglasses online.  He went to the optometrist for an exam, and his glasses, here, will cost at least 560 Euros, or 775 US dollars.  We can get them online for $112.00.  But we have to measure his pupillary distance.  He wants to do it himself, but every time he looks in the mirror, his eye shifts.  He tells me how to hold the meter tape, convinced I am trying to blind him.  I tell him it’s 58 mm, he thinks its 62; we compromise at 60.
The man who made my glasses had me put clear glasses on, then made a dot where my pupil was and measured between them.  It is the tack we eventually take.
The glasses are such a good price I am thinking about getting a pair myself, although I have these terrific 60s frames.  With the mail-order glasses one must select an online frame.
While the bus was stopped on the way home today, I watched two men in the eyeglass store trying on frames.  One was a large headed big man, probably a customer, observing himself in heavy black frames.  The other guy, a handsome long-haired fellow was wearing a rimless variety, plucking frames from the walls.  I thought he had a universal head  that would look good in any frame.  That’s probably why they hired him.
There are lots of eyeglass stores in France.  Eyeglasses are covered by the country’s social security system, and in this myopic society everyone needs to see more clearly.  While contact lenses  prevail, I would venture everyone owns at least one pair of glasses.
Every occasional I paint without my glasses on – it is an interesting phenomenon.  Colors look brighter.  Sometimes I think my paintings are what everything looks like without corrective lenses.  It leaves a little to the imagination. 
I believe Harika doesn’t see well.  She often barks at a baby carriage or a rolling suitcase, mistaking it for another dog.  She shies away sheepishly when she realizes her folly.   Her hair is usually in her eyes – a fine line between a sunshade and an obstruction.    Once a little girl asked boldly, “how does that dog SEE?”
I got a marvelous book from the library on eyeglasses.  Of course, it claimed eyeglasses were invented in Franc e (but did credit Benjamin Franklin with developing bifocals), and had pictures of glasses used by Louis XIV.   There were all sorts of interesting methods of using glasses:  embedded in fans, for instance. 
I love to LOOK.  As the trees are changing, I see the many shades. 

Sunday, July 10, 2011

 Sunday Morning Sailboat   Laurie Fox PESSEMIER   Acrylic on canvas  12 x 16 inches

Sunday Morning   M. Blair PESSEMIER   Acrylic on canvas   8 x 12 inches
 Two boys and a boat   Laurie Fox PESSEMIER    Acrylic on wood  13 x 6.5 inches
Observer  Laurie Fox PESSEMIER    Acrylic on wood  13 x 6.5 inches
 Park Play   Laurie Fox PESSEMIER   Acrylic on canvas  12 x 16
Quick move   Laurie Fox PESSEMIER   Acrylic on wood  13 x 7  SOLD
Blue checks   Laurie Fox PESSEMIER   Acrylic on wood   8 x 10
 Backgammon   Laurie Fox PESSEMIER   Acrylic on wood  13 x 4
Sunny Afternoon  Chess   M. Blair Pessemier  Acrylic on canvas  10.5 x 18 inches
 Medici Fountain  M. Blair PESSEMIER   Oil on canvas   18 x 22 inches
 Red Coat  Laurie Fox PESSEMIER    Acrylic on wood  5 x 12

 Sunglasses/pearl   Laurie Fox PESSEMIER    Acrylic on wood   6  x 10

Happy in the Pak     Laurie Fox PESSEMIER   Acrylic on wood  6 x 10

Sunday, July 03, 2011


Luxembourg Gardens: Visiting with Dog Laurie Fox PESSEMIER 12 x 14 inches
 
 Luxembourg Gardens:  Ponytail    Laurie Fox PESSEMIER   Acrylic on canvas  6 x 10 inches

 Luxembourg Gardens:  Park Slope    Blair PESSEMIER   Acrylic on canvas  12 x 16 inches
 Luxembourg Gardens:  playing chess    Blair PESSEMIER    Oil on canvas   13 x 22 inches  

Luxembourg Gardens: resting with book  Laurie Fox PESSEMIER   Acyrlic on canvas    16 x 12 inches

Saturday, June 25, 2011

 Luxembourg Gardens:  Pink Dress  Laurie Fox PESSEMIER  Acrylic on wood  approx 6 x 10"
  Luxembourg Gardens:  Beagle  Laurie Fox PESSEMIER  Acrylic on wood  approx 6 x 10"
  Luxembourg Gardens:  Giggle  Laurie Fox PESSEMIER  Acrylic on wood  approx 6 x 10"
  Luxembourg Gardens:  Lunettes  Laurie Fox PESSEMIER  Acrylic on wood  approx 6 x 10"
  Luxembourg Gardens:  Striped Shirt  Laurie Fox PESSEMIER  Acrylic on wood  approx 6 x 10"
 Luxembourg Gardens: Diana     Blair PESSEMIER  Acrylic on wood  approx 6 x 10"

Saturday, June 18, 2011


Luxembourg Garden:  Bee house    M. Blair PESSEMIER  Acrylic on canvas  12 x 14 inches

 Luxembourg Gardens:  Waiting out the rain in the cafe    Blair PESSEMIER  Acrylic/canvas  12 x 12 inches
 Luxembourg Gardens:  view from the balcony  Blair PESSEMIER  Acrylic on canvas 15 x 18 inches
 Luxembourg Gardens:  across to St. Etienne   Laurie Fox PESSEMIER   Acrylic on canvas  12 x 12
 Luxembourg Gardens:  Rain on the bench   Laurie Fox PESSEMIER   Acrylic on canvas  12 x 12

 Luxembourg Gardens:  kids playing    Laurie fox PESSEMIER   Acrylic on wood 7 x 20 inches
Luxembourg Gardens:  Class at play   Laurie Fox PESSEMIER   Acrylic on wood 6 x 10 inches

ARTNOTES:  Never Lonely


I can’t believe it’s another week since I wrote artnotes.  We’ve had a busy week – guests, many paintings, a weekend full of art lessons.
I am making the adjustment from painting with my friend Y, to painting with my darling Blair.  Sometimes we can bring out the worst in one another, or the best.  Somehow we’ve managed to paint together four times this week.
We went, with Harika, first to the café La Palette.  It’s a bit of a meat market, but what could be better than men and women looking and acting their best?  Hand gestures, good hair, SMILING.  It’s funny, from the outside looking in.  That’s the role of the artist.  It’s always been my role.  I prefer to look into a closed shop, or restaurant, or a night time window across the street, than actually being “inside”.
Without Harika, we went to the café at the mosque the next day.   Men with trays of hot ultra-sweet tea come by tables to take your order.  Just putting my lips on the edge of the glass makes me as happy as champagne.  The place is more populated than it was a few years ago, by all nationalities.  The hubble-bubble pipe is more present: I could smell different, delicious tobacco.   There were two veiled ladies beside us, one toking heavily on the narghila.   An affectionate couple in the corner confirmed the relaxed atmosphere of the place.  I took out my paints and made images.
I took Harika to the park on Wednesday: she lies beside me while I paint.  Blair painted an exceptional “boules game” in oil,  in another part of the park.  She and I did a series of people paintings on wood.  Two people are lying in recliner chairs near us.  I feel a little sorry for them, with nothing to do.  Are they thinking? 
We brought two students to the Luxembourg Gardens on Friday.   They were very different:  one about 45 and charmingly reserved, the other 16 and charmingly confident and direct.   What we all had in common was art, and we painted up a storm:  in about 5 hours of painting, we produced, among us, 13 paintings.  A (very good) painter we painted with a few weeks ago would say:  “I can only give birth once a day”.  Altogether yesterday we produced a litter.
On the phone I talk with my Dad about my nephew:  he is a great young pianist.  It is not clear he will pursue music as a profession, but we agree that to make music or make art is a gift:  he will never be lonely.  It is a wonderful door to open.
Laurie (text) and Blair (painting) PESSEMIER    www.paintfox.