Saturday, January 31, 2026

Artnotes: Room for Interpretation

 

 


I can’t wait to get up in the morning, longing for the darkness to lift.   I get up, around 4, open the window wide, look up at the stars (when it’s not rainy or foggy).   Of course, I can’t quite see the Milky Way, but there are twinkly bits.   There’s frost on the grass, light green brine.   Sometimes an animal dashes past, back to a den before sunrise.

Berlino can’t wait to get up and outside, either.    He rustles, licks, chews, and shakes – we’re up now.  Blair lets him out, feeds him, usually by 5. Then he trucks up the stairs and hunkers down with us for the last hour or so before sunrise.



I lay there and play dead, like a normal human.    But my mind is racing ahead:  today maybe I can finish the Scorpion Chapel mural; I want to cut back the lilacs; and what about sardines with lunch?  I let myself go.   Maybe there’s an art show to see:  in fact, there are three.  One, a photo show at MAST still has a  month to run.



We choose a great exhibit in Reggio Emilia, at the Marramoti Museum, a free and extraordinary art collection sponsored by the founder of Max Mara.   There was a terrific exhibit by Polish born Rom woman Malgorzato Mirga -Tas.  Her work, a most unusual fabric installation, celebrates the community of Rom people in Reggia-Emilia and Bologna, where they have had a presence since 1422.   The Rom people have a basis in Catholicism, which makes Italy an apt home.   Although they live in their own community, they are integrated into the education and social system.   They have a particular love of horses, and this art show emphasized it.   It is a combination of fabric art and poetry:  The Big Dipper will Foretell the Future of the Roma.   It touched me to the heart.



I find myself loving these more edgy, unusual exhibits.  I still like things to be beautiful to the eye, but I need to feel more deeply.  Our other choice was to see a Marc Chagall exhibit in Ferrara.  Chagall, of course, is wonderful, but I have seen so much of it.  And how is it that Sotheby’s can reduce everything to another expensive black accessory?  So many millions (ca-ching, as they prepare to sell the Chagall murals from the Met).

Crab in Water  Blair Pessemier  Acrylic/canvas   16 x 16"  40 x 40 490.00

Chalk Horse     Laurie Fox Pessemier


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