Sunday, November 03, 2024

Artnotes: Daydream

 

Carthiginian Vessel   Laurie Fox Pessemier   Acrylic/canvas panel     9.5 x 12"  24 x 30cm  375.00

A man sat at the bar at the Camera Café coffee shop on Thursday.  I didn’t recognize him, but we really don’t know everyone who lives in our greater community of Guiglia.  He had a coffee, and was gazing across the restaurant.  He was DAYDREAMING!

  Youth in Glistening Apparel (Maypole)  Blair Pessemier   Acrylic/canvas  39.5 x 25.5"  100 x 65cm  750.00
Now, that’s a word, a concept nobody considers anymore:  daydreaming.   Everyone else in the café was conspicuously on their cellphones, or else engaged in conversation, and even many of those chatterers were on the cellphone, simultaneously. 

To be caught in a daydream seems like to be found out, that you’re not really a serious person, or without friends (you know, those 3,9k friends on facebook?), but for me daydreaming is such a joy.  I still do it sometimes, when I am out walking Berlino, or ironing, or hanging out clothes.   I find myself seeking tasks that allow my mind to wander.  Of course, daydreaming could be a sign of mental decline, although babies and children seem to be its biggest advocates, and their minds are growing.
Happy Fish   Laurie Pessemier  Acrylic/canvas  12 x 12"  30 x 30cm    375.00
It has finally stopped raining in Italy, at least for the time being.  There is mud and puddles, and our Wifi transmitter, which hasn’t worked for more than a week, is sitting in a telephone box up to its ears in mud.   At least we know the problem, even if we’re number 52 on the list for the repair.  

Anyway, I am thinking how much I’d like to get off of social media, and might limit the time I spend on it in 2025.  I like to be in touch with all of you, but deleting ads and creepy messages is clearly not worthwhile (someone wrote 5 paragraphs to tell me what a wretch I am).  It’s that time of year when I am considering resolutions, and new plans.  Well, I’s better get through Christmas first.
The Steadfast Tin Soldier (and his ballerina)
I love making Christmas ornaments – although they aren’t terribly holiday-ish.  I sit at the table and they take on a life of their own.   They seem to be increasing in size as well as quantity and I feel a large abstract figure coming on.  I dream about new projects every day.
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Pessemier's Sunday Salon
Weekly on Sunday  No Reservation Necessary
 

How it works: Bring a piece of your ART: that could be visual, like painting or printmaking; or literary, as in poetry or prose; or crafts, like metalwork or knitting; or food, or music.  Something you made, or feel particularly inspired by.  You have about 5 minutes to present, and we'll ooh, ahh, or answer questions you have.  You can also come and see how we work before diving in.  Just show up on Zoom at a minute or two before the hour.   
No selling, no networking until after everyone has presented.

Join Zoom Meeting
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Meeting ID: 880 9370 8954 Passcode: 886402

Rome 8PM; NY 2 PM; LosAngeles 11AM 

 


Sunday, October 27, 2024

Artnotes: Pitcher of Possibilities

 

Pitcher of Possibility    Laurie Fox Pessemier   Acrylic/paper   23.5 x 17"   60 x 43cm   275.00

I love my studio in Stimigliano, and the genius who lives in its walls is always happy to see me.  This week I painted a passel of holiday ornaments and a couple of paintings with her.  Although it rained a bit, I ran the heater and lit the candles so it was cozy and romantic.  We just spent the week in Stimigliano  – we needed to pick up a couple of paintings we sold (we mail from the Roccamalatina area, where we have an honest and dependable shipper).  Berlino is not as keen on Stimigliano – he’s on leash all the time.  So we never stay too long.

Photo from our Window in Stimigliano    Blair Pessemier
Blair and I took a couple of little trips while we were there (actually 3, if you count visiting friends in Viterbo).  We went to the nearby town of Civita Castellana, where we bought two small pieces of pottery.   There’s a family in town who makes ceramics in the Etruscan style, using porcupine hairs to etch details, and other quite particular techniques.  They are an interesting family, the mother and one or both of the sons sitting in the shop, she chattering on and on about this that and the other thing.  We actually went to Civita Castellana to see the ceramic museum (the area is famous for their pottery), but it was closed for the day for work (a leak? ).   The walls of Civita Castellana are dotted with sculptural treasures from millennia ago.   We stopped by the church, where we saw a most interesting (new-ish) ceramic sculpture of the Holy Family.
Photo of a Corner in Civita Castellana   Blair Pessemier
Two days later we visited Rome, where we walked through the Borghese gardens and visited the Museo Carlo Bilotti Aranciera di Villa Borghese.  This museum used to be the orangerie for the Villa Borghese.  There is little indication of its former use, save for a fountain on the lower level.  It was remade to house works by di Chirico, Warhol, Larry Rivers – all owned by Carlo Bilotti, who funded the renovation.   There was a current show by an Italian artist, Sandro Visca, which was quite interesting.   Although Blair and I have a more traditional style than any of these, it’s always a shot in the arm to have new, brilliant input. 
Dancing Wolf (for Maypole show) Blair Pessemier  Acrylic/canvas  18 x 13w  46 x 33cm  490.00
Walking around the Borghese Gardens is one of our favorite things.  We think we could live alongside the garden, and Berlino could walk and play with the many other dogs there.   We put the idea of moving to Rome into our satchel of possibilities as we hop in the car and drive back. 
Potential dog friends for Berlino in the Borghese Gardens
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Pessemier's Sunday Salon
Weekly on Sunday  No Reservation Necessary
 

How it works: Bring a piece of your ART: that could be visual, like painting or printmaking; or literary, as in poetry or prose; or crafts, like metalwork or knitting; or food, or music.  Something you made, or feel particularly inspired by.  You have about 5 minutes to present, and we'll ooh, ahh, or answer questions you have.  You can also come and see how we work before diving in.  Just show up on Zoom at a minute or two before the hour.   
No selling, no networking until after everyone has presented.

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Rome 7PM (this week only); NY 2 PM; LosAngeles 11AM 

Sunday, October 20, 2024

Artnotes: Motorcycle

 

Motorcycle Christmas Ornament  Laurie Fox Pessemier   

On one of our first dates, Blair and I went to the rodeo in Ellensburg, Washington.   We stayed overnight on someone’s porch (a friend of a friend).   In the spirit of the weekend, I bought a motorcycle from the people who owned the place.  It was a Honda 90, and it came with 2 helmets.  They delivered it to the other side of the mountains for me (there’s Eastern (where the rodeo was) and Western (where Seattle is) Washington).  I rode it all around Seattle, sometimes with Blair and sometimes with my girlfriend Del.  It was big fun, but really I wasn’t a motorcycle girl and eventually it petered out into obscurity.  Blair and I became an “item” and traveled in his 1970 Saab.

Last week, we visited the Ducati Motorcycle factory.  I had never imagined going there, but actually it was quite fun and inspirational, and our guest loved it.   I declined sitting on the big bike – I couldn’t imagine straddling that huge engine; our friend tried it, though.   We watched the movie on the history of the Ducati family business from bicycles onward. 

Both Blair and I love product design, and Ducati didn’t disappoint.  From trendy colors to swoopy lines, you could identify 1940, 1970, and all the rest.  Material innovations (those bubble windscreens!) and the currently available electric powertrain inspire new designs yearly.
I’ve turned some motorcycle images into Christmas ornaments – we are going to be in the Stimigliano Christmas Fair on 1 December.  I am making cardboard ornaments I can sell as a lead in to our bigger work.   It’s all I’ve been working on, thinking Christmas before Halloween.  We did buy a pumpkin for carving yesterday.
Beef   Blair Pessemier  Acrylic/canvas 24 x 12"  60 x 30cm    490.00
I really did like my motorcycle, although I was happier riding “off road”.  It couldn’t carry us both up hills, either.     Somehow I can imagine powering through the forest here on that little bike, although I guess the forest wouldn’t be so nice with a motorcycle in it.    I’ll have to resort to walking with Berlino leading the way.
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How it works: Bring a piece of your ART: that could be visual, like painting or printmaking; or literary, as in poetry or prose; or crafts, like metalwork or knitting; or food, or music.  Something you made, or feel particularly inspired by.  You have about 5 minutes to present, and we'll ooh, ahh, or answer questions you have.  You can also come and see how we work before diving in.  Just show up on Zoom at a minute or two before the hour.   
No selling, no networking until after everyone has presented.

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Sunday, October 13, 2024

Artnotes: From the Sublime to the Ridiculous

 

Bookish  Laurie Fox Pessemier   Acrylic/canvas  13.5 x 10"  34 x 25cm  375.00

We have been to at least a dozen new places in the past week and a half. All of this activity precluded last week’s Artnotes, but now I have a bucket of new inspiration.

The most unusual and perhaps most moving place we visited was the Ustica Memorial, outside of Bologna.   It is monument to a mysterious plane crash and subsequent art project by Christian Boltanski, a French artist.  The architecture of the building itself is unique, having been fashioned from old tram sheds, at the edge of Bologna, not far from the airport.  

Itavia flight  870 crashed in June of 1980, and no definitive reason for its demise and the 81 people on board, has ever been revealed.  It is rumored to have been shot down (they know it was an external force) by NATO, or France, or Italy, possibly in an attempt to assassinate Gaddafi.    In any case, no one survived.

Swallows at Hammonnasset   Laurie Fox Pessemier   Commission
Through the efforts of a sister of one of the passengers, the hulk of the plane and all its contents (we don’t see those), were washed (baptized, in the words of the artist) and reassembled in this building.   It looks like a puzzle, all the bits, most about 6 x 6 inches each, patched together.   The plane is oddly complete, at least on the outside, and you can see through the DC 9 structure.   But it’s the setting that the artist created that brings it back to “life”.  81 lightbulbs hang around the structure, slowly illuminating and dimming, to represent the passengers, almost fading away, but never completely.   There are likewise so many smoky mirrors around the room with the voices of those passengers talking about what they will do when they arrive:  eat dinner, get results of a test, hold mommy’s hand.    It is a little disconcerting, but at the same time, not forgetting, not ,glossing over, but asking still, “what happened here?”
Native American for our MAYPOLE   Laurie Pessemier  Acrylic/canvas  58 x 28"  147 x 71cm    750.00
I am not sure what our guest made of it, but as an antidote, we went afterward to the Modern Art Museum in Bologna (MAMBO).   Now, that was weird.  We were nearly denied entrance because we had 2 cents less than the entry fee for the three of us (we had to resort to a credit card, which certainly cost the museum more than the two cents).  The goony girl at the counter recommended we visit the permanent collection.

It was the most hilarious visit of our 12 day adventure.   There was a video of an artist trying to board a train while wearing an outrageously large inner tube, for example.  There were all sorts of oddball things like this, but the museum itself won the award for bizarre performance. The guards were mainly older women, oddly dressed (judged by me, who is always oddly dressed), sitting in chairs and completely motionless throughout the exhibits – I though one was actually a Duane Hanson sculpture until I almost touched her.  Were they meditating?   The weirdest person was the ticket taker, who dashed toward us as we approached an exhibit, and in fact, bumped into me.  Did he think I snuck in?   It was all completely hilarious and an insane contrast to the morning’s somber memorial.
Egg Cup    Laurie Fox Pessemier  Acrylic/wood   4 x 13"   10 x 33cm    190.00
The day was a success from the sublime to the ridiculous, and set the tone for the rest of our adventures.  And Artnotes returns.
Where my Muse Lives  Laurie Fox Pessemier  Acrylic/canvas  10 x 9"   25 x 23cm  290.00
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Weekly on Sunday  No Reservation Necessary
 

How it works: Bring a piece of your ART: that could be visual, like painting or printmaking; or literary, as in poetry or prose; or crafts, like metalwork or knitting; or food, or music.  Something you made, or feel particularly inspired by.  You have about 5 minutes to present, and we'll ooh, ahh, or answer questions you have.  You can also come and see how we work before diving in.  Just show up on Zoom at a minute or two before the hour.   
No selling, no networking until after everyone has presented.



https://us02web.zoom.us/j/88093708954?pwd=M04zNHB4dFZkREp3bThweUd1YnVDZz09

Meeting ID: 880 9370 8954 Passcode: 886402

Rome 8PM; NY 2 PM; LosAngeles 11AM 


Saturday, September 28, 2024

Artnotes: Fit in the Freezer

 

Equinox    Laurie Fox Pessemier   Acrylic/canvas  20 x 12"  50 x 30cm  475.00

It has been a perfect “fall” week here in Roccamalatina.   The light has gone golden and angular, like something from a movie.  The wind rustles the leaves, that make dramatic patterns all around.  The sky has been mostly blue with dramatic cloud formations.  Berlino and I have been out for our morning walks, tracking whatever fantasy animals have been carousing in the tall grass.   

Light in Roccamalatina 23 September CLICK for video.
There seems to be a unicorn in the under the non-accessible (at least to us) roof space of our house.  There might be a mole beneath kitchen, where the horse once lived; it’s built on grade.   In the night we can hear these characters, but Berlino seems to sleep on through.  Maybe I am imagining them?  I try to think of them like the crickets and cicadas, but the beat of four feet overhead is hard to disguise.  We’re hoping they move on.
A guest is arriving this week, and maybe he’ll have an idea of what to do. I love guests for their new point of view.   In anticipation, we have been trying recipes, and improving old ones.  What a joy to be able to run the oven again, without dying from heat.   I made a delicious whole fish, with roasted peppers and lemons; mussels with onions and saffron and cream.   Blair made a fabulous grape and gorgonzola risotto.   We ate fresh (not in tins, anyway) anchovies with peppers and canelli beans, at the table outdoors.
Peppers in an LLBean Bag     Laurie Pessemier  Acrylic/canvas   12 x 16"   30 x 40cm   450.00
I bought about 10 pounds of red bell peppers (5 kilos for 6.90) at the market on Tuesday.  Much of the week was taken up with trimming and freezing them, and making jars of sweet roasted.  I managed to paint them, too.   This is the time of year to buy marvelous vegetables – I am only held back on how many will fit in the freezer.
Berlino sleeping in the Fall Sunshine...
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Pessemier's Sunday Salon
Weekly on Sunday  No Reservation Necessary
 

How it works: Bring a piece of your ART: that could be visual, like painting or printmaking; or literary, as in poetry or prose; or crafts, like metalwork or knitting; or food, or music.  Something you made, or feel particularly inspired by.  You have about 5 minutes to present, and we'll ooh, ahh, or answer questions you have.  You can also come and see how we work before diving in.  Just show up on Zoom at a minute or two before the hour.   
No selling, no networking until after everyone has presented.

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Meeting ID: 880 9370 8954 Passcode: 886402

Rome 8PM; NY 2 PM; LosAngeles 11AM 

Sunday, September 22, 2024

Artnotes: TroppaTrippa

 

Trippa  Laurie Fox Pessemier   Acrylic/paper  9 x 9"  23 x 23cm  175.00

 I received an unusual request some months ago, regarding my tripe can painting.   It seems there is an official “Tripe” group here in Italy, known as troppatrippa.com, and they wanted to feature my painting of the Simmenthal Tripe can.     They generously associated me and my can with Andy Warhol and Campbell’s soup.   It puts me in the mind of making tripe can prints!  Maybe I will.  Meanwhile, I’ve had my 15 minutes of fame.   https://www.troppatrippa.com/articoli/la-simmenthal-come-la-campbell/

Bear getting ready for the Dance   Blair Pessemier Oil/Canvas 40 x 36"  100 x 90cm  750.00  
All around it’s been a fabulous week.   I have been able to retrieve my 9 unused ISBN#’s, that I might apply one to our book about Pompeii, on sale for Christmas.  There will be more about the book around 4 October, after the final evaluation.  The book is in both English and Italian.   Finding those 10 ISBN numbers from 2005, made me feel like a Mensa Genius. 
 Foo     Laurie Pessemier  Acrylic/oil pastel/paper   20 x 27" 50 x 70cm  350.00
We have been painting fantasy figures for the upcoming Maypole show at our gallery and ordered lots of colored satin ribbon.  We are seeking the pole itself, which needs to be three meters (120 inches) long.   It hasn’t been too difficult to slip into the fantasy world, as we have had a solid week of rain.  Even Berlino has been having sunshine deficiency.
Unicorn  Laurie Pessemier  Acrylic/canvas  23.5 x 16"   60 x 40cm   490.00
He caught a squirrel this week.  I was watching him toss around his toy in the yard, but then realized he didn’t have one quite that color, nor that “lively”.  I went out and he laid it down, like a good bird dog:  not a feather on the animal was spoiled, and after playing dead for a minute, the little creature jumped and ran up the tree.  Thank goodness.   I am glad we keep those vaccines up to date.

As I write these artnotes, the sun has finally broken through.  Our wash in hanging on the clothesline, and I am considering eating lunch outdoors.  Tripe, anyone?
Pair of Violins  Laurie Pessemier  Acrylic/paper 12 x 10"  30 x 25cm  275.00 (or 150 each)
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Pessemier's Sunday Salon
Weekly on Sunday  No Reservation Necessary
 

How it works: Bring a piece of your ART: that could be visual, like painting or printmaking; or literary, as in poetry or prose; or crafts, like metalwork or knitting; or food, or music.  Something you made, or feel particularly inspired by.  You have about 5 minutes to present, and we'll ooh, ahh, or answer questions you have.  You can also come and see how we work before diving in.  Just show up on Zoom at a minute or two before the hour.   
No selling, no networking until after everyone has presented.

Join Zoom Meeting
https://us02web.zoom.us/j/88093708954?pwd=M04zNHB4dFZkREp3bThweUd1YnVDZz09

Meeting ID: 880 9370 8954 Passcode: 886402

Rome 8PM; NY 2 PM; LosAngeles 11AM