Madame Tourne-Bouchon Blair Pessemier acrylic on linen 16 x 11" 41 x 27 cm
Today we met a man from Afghanistan at our morning café
(really it’s Harika’s café, Pierre and Andre’s place, where they love her and
give her sausages). The Afghani is
working in the neighbhorhood as a menusier, or specialty woodworker. Blair saw the opportunity to get to know him
better and offer a little work. We have
two drawers which never were properly fitted (actually, the backs were broken
off to accommodate a pipe) and finished in our kitchen cabinet: lickety-split he was over.
He showed us pictures of Afghanistan. Would I paint him a picture of the mountain
which just had the landslide? Of course.
“ I will send you many pictures of Afghanistan, so you know – the real country,
not the country you see on the news.” He
means the infernal war, the Taliban, the awfulness of it all.
We visit a little – we ask him about boats. Boats?
Afghanistan doesn’t even have a seacoast. I see a picture of his brother – “he was little
when I left, now he is big and he shaves.
It makes me so sad when I look at this picture. I have never known him.” But the key in the picture is the river. “See, we have a river, and there are
boats. This river comes from the
mountain and brings water to Kabul.” I
hope Coca-cola never figures that out. “People
protect the river,” he continues “we all need it.” The reason the mountain slid and killed 2000
people is because the people moved so close to the mountain to have water.
Allee in the Luxemoburg Gardens Blair Pessemier Acrylic on panel 12 x 12" 30 x 30 cm
I am so sorry I can’t go see Afghanistan myself. Actually, Damascus in Syria was the place I
most wanted to live after Tunisia. Damascus was the oldest continuously occupied
city on earth. Neither place is open to visitors now.
Blair and I have lived in a charmed age where travel was
cheap and easy and not everyone hated Americans. Blair went to school in Rome, visited Istanbul
on his own. Those days are gone and to insure our continued
stay-put-ness, we have Harika. “You’re
going where? NO WAY” her eyes bespeak her thoughts. We have probably lasted longer because of her
silent protests. We have to be satisfied with meeting people from all over in cafes -- living in the big city has advantages.
We are thinking of going to Nimes on Sunday. Blair found a grand house we could rent and
put up people for art lessons.
Eventually we’ll turn it into a retirement home for our more interesting
friends. We’ll hire good-looking
help. The politically incorrect police
could be all over me. A real French
chef.
Oddly enough, our student on Thursday has had a similar
idea: to open a home for orphaned old
folks. Each one will have an orphan
dog. Harika isn’t as keen on that, but I
am happy to hear other people are thinking the same way as me. I read about people who are 100 are happier
than many younger people. And they ate
whatever seemed good to them. Hooray.
Jean Lux Blair Pessemier Arylic on panel 12 x 12" 30 x 30 cm
Three planters Blair Pessemier Acyrlic on linen 13 x 16" 33 x 41 cm
Pont des Arts 15 May Laurie Fox Pessemier Acrylic/linen 11 x 16" 27 x 41 cm
Shades of Violet Laurie Fox Pessemier Acrylic/linen 12 x 19.5" 30 x 58 cm
Ile de la Cite 15 May Blair Pessemier Acrylic/linen 15 x 18" 38 x 46 cm
Irises 15 May Blair Pessemier Acrylic/panel 14 x 11" 27 x 35 cm