Dog Walking in February Laurie Fox Pessemier Acrylic on linen 9.5 x 14 inches
Artnotes: No Bad Weather
“There is no bad weather, “a friend quotes her grandmother, “just
wrong clothes.”
It was only 22 degrees Fahrenheit in Paris this
morning. Harika embraces this weather
like she was born in Siberia instead of Tunisia. Our only visitors to the gallery, in fact,
have been from the more Northern climes, like Russia and the Scandinavian
latitudes. I feel pretty robust about
the weather myself, bundled in my furry coat.
Blair and I went out yesterday to scope out a spot to paint a portrait,
en plein air, near the Eiffel Tower.
Fifty trees were felled from the dog walking area in the
Luxembourg Gardens. It looks pretty
grim, but the trees were diseased -- evidenced by large holes through the limbs
and trunk. I’ve suggested the vacant area, populated by
stumps (spray painted fluorescent pink so we don’t trip on them) become a dog
park. We cold dedicate the park to Idéfix,
Obelix’s dog, who cries whenever a tree is cut down. Obelix, Asterix and Idéfix (Dogmatix in the
English translation), are Gallic cartoon characters every child in France
knows.
I’ve taken to decorating the stumps with stones and twigs
that my dog Harika takes joy in removing.
I’ve better ideas to come, but need the temperature to crest freezing,
at least. Earthworks: I love it when things evolve.
We had an outdoor art lesson this week, fortunately the day
before the mercury plunged. We painted
at the carousel, which was garnished with tons of kids on Wednesday afternoon,
the traditional afternoon off from school here. It is the finest day in the park, with
everyone from infants to grandparents enjoying the garden.
It felt great to be out, but as the sun crept behind the
trees we returned to the gallery/studio, where we spent a half-hour
drawing. Usually, I have a large collection of
mismatched gloves suitable for wear while painting, but not this day. In
fact, my student had gloves, but we were beyond the point of no return.
We might have stayed in the whole time, but work is being
done on the floor above the gallery, and the workmen have fallen through the
ceiling three times. You think I am
joking, but I am not. There are no
precautions being taken for the safety of the workers, or us, as they remove
the floor from the apartment above, leaving only the 16th century
beams to separate the two spaces. As
long as the outside of the building isn’t breached, renovation work can take
place inside without any permit or
restriction. I wear my hat, as small
chunks of ancient mortar/plaster bounce off my head from above.
It makes selling paintings a little difficult, but traffic is light
these cold days.
Peruvian lilies with Pussywillows Laurie Fox Pessemier Acrylic on linen 11 x 16 inches
