Saturday, July 21, 2012

Rodin's gardens and Luxembourg Gardens

 Rodin's Garden   Blair Pessemier    Acrylic on linen 13 x 16 inches
 In Rodin's Garden 2   Laurie Fox Pessemier   Acrylic on canvas panel    10.5 x 14 inches
 In Rodin's Garden 3  Laurie Fox PESSEMIER   Acrylic on linen  11 x 14 inches
 In the Luxembourg    Laurie Fox Pessemier   Acrylic on linen   10 x 16 inches
 Painting Harika    Blair Pessemier   Acrylic on canvas panel  9.5 x 13 inches
Sitting in the Garden   Laurie Fox Pessemier   Acrylic on canvas panel  12 x 12 inches

Saturday, July 14, 2012

14 July 2012   Laurie Fox Pessemier   Acrylic on canvas panel  9 x 13 inches  SOLD

 Hand made boat  Luxembourg Gardens   Laurie Fox Pessemier  Acrylic on canvas panel  13 x 18 inches
 Pine in Bois de Boulogne Blair Pessemier   Acyrlic on linen  11 x 14 inches
 Live pines Bois de Boulogne   Laurie Fox Pessemier   Acrylic on linen  10.5 x 16 inches

Hollyhocks   Laurie Fox Pessemier   Acrylic on linen  10.5 x 16 inches  SOLD

 Pont des Arts and Pont Neuf   Laurie Fox Pessemier   Acrylic on linen  11 x 14 inches
 Corner of the Park   Laurie Fox Pessemier   Acrylic on linen  11 x 14 inches
Fountain Luxembourg Gardens   Laurie Fox Pessemier   Acrylic on linen  11 x 14 inches
 Dome at Printemps Blair Pessemier   Acrylic linen  11 x 14 inches
 Grandma and girl   Laurie Fox Pessemier    Acrylic on wood  6.5 x 12 inches
 Blue Boat on the Seine   Blair Pessemier   Acrylic on linen  10.5 x 16 inches  SOLD
Madelaine and Napoleon's tomb   Laurie Fox Pessemier   Acyrlic on wood   6.5 x 12 inches

Saturday, July 07, 2012

Painting exercise

 Exercise in the Park    Laurie Fox Pessemier   Acrylic on wood  10.5 x 7.5 inches
 Painting exercise in the Studio   Blair Pessemier   Acrylc on canvas panel  12 x 12 inches
 Color exercise   Laurie Fox Pessemier    Acrylic/canvas panel  9.5 x 14 inches
 Trees in the Garden  Blair Pessemier   Acrylic on linen  11 x 14 inches
 From the poste de surveillance   Laurie Fox Pessemier  Acrylic on linen  10 x 16 inches
Dancer in the Garden   Laurie Fox Pessemier    Acrylic on linen   13.5 x 5.5 inches
 Painting students   Blair Pessemier    Acrylic/linen  11 x 16 inches
Three Plein Air Painters   Laurie Fox Pessemier    Acrylic/linen  12 x 12 inches

 Two exercisers in the Park   Blair Pessemier   Acrylic/linen  12 x 12 inches

ARTNOTES:  Exercise in the Park

On Thursday Harika went haywire upon seeing Tom, the German shepherd, who frequents her very own  park, the Luxembourg Gardens.  I was ensconced in my lounge chair, catching up on the gossip with a couple of dog owners and a park guard, when Harika lunged backwards, nearly tipping me out of the chair, and I had to reel her in, like a fighting swordfish, on her retractable leash.  I threw my spine out of kilter, and the next thing I knew I was lying on Dr. Douvier’s acupuncture table.  I explained how I tried to “chiropractor-ize”  myself by snapping my knee firmly to my chest.  “That only works if your vertebrae is misplaced toward the back (or was it front?)”  In any case, I made it worse.

Now I walk around stiffly and dramatically like a girl in a ninetheenth century painting.  No lifting, no bending and no dog-leash holding for a couple of days.  I am feeling better, although I might avoid the dancing along the banks of the Seine someone suggested tonight (oh, we can go and paint, Blair says).

I had a brief reprieve from my discomfort, as we painted under the poste de surveillance in the Luxembourg Gardens on Friday morning.   When I get involved in my painting, I don’t feel pain or discomfort of any kind.  The problem was only masked, however, and when I got home I was moving around like the mechanical man.

I am focused totally in the present, when I am painting.  When a friend describes his meditation , I think I experience much the same thing while painting.  I don’t really get in touch with my “chakras”, however, or maybe I am just throwing all my chakra onto the canvas.  Hmmm.  

Last week, we had 8 young painters in the class.  They all took their canvases and found a place in the garden which inspired them.  From a bench beneath the trees  to the “bassin”  with the Eiffel Tower in the background, each person produced a pretty remarkable piece of art.  They were the best class I ever had, in terms of both talent and dedication.   Two painters  worked from just before three until  five-thirty:   “I can’t believe it’s that late!” one girl said.   She showed a passer-by her painting.  

Another woman,  painting with us in the garden told us, “this is more relaxing than a massage.”    As I fret over whether or not people are comfortable, or getting the guidance they need, someone will often say, “I am having so much fun!”

It is our busiest season right now.  I have a beginner painter, who started out in our studio, mixing and dabbing paint, and doing 3 minute sketches.  On Friday, she painted her first outdoor painting, alongside Blair and I.  It was pretty good – her husband suggested they frame it at once.

I am looking forward to our next foray on the Pont des Arts.  Vacation will be a couple of day s shorter this year as I get back for painting dates.   

Dr. Douvier watched as I struggled to lift myself from the table.  “You should really take some time to get out of Paris,” he said.  We told him we were heading to America to visit family for the month of August.  “Why, you two are more French than the French!”

Sunday, July 01, 2012

Atlas shrugs

 Carousel animals behind the curtain   Laurie Fox Pessemier   Acrylic on canvas  10 x 16 inches
 Carousel after hours   Blair Pessemier   Arylic on canvas   10 x 16 inches
 White elephant   Laurie Fox Pessemier  'Acrylic on wood  13 x 7 inches
 ARTNOTES:  Atlas Shrugs

We’ve been minding a friend’s dog this week.  Atlas is a delightful creature, even Harika enjoys him, which just goes to show how likeable he is.  He’s a Jack Russell terrier, full of confidence and authority.  All night long, he and Harika jump on and off the bed, jockeying for position.  Once established, they immediately fall asleep, a condition more elusive for me.  It’s just five nights of this – and I am enjoying an alternate view and the quiet of a garden apartment.    But I’ll be happy to get back into my own bed Monday night, albeit louder.

Noise abounds at 110, rue de Rennes, where we live.  In the summer, we open the windows on our busy corner.  There are cars and sirens and, in the early morning hours, revelers singing the praises of their night out.  It is the sound track of my current life.  I’ve had other soundtracks:  Olivier’s piano playing (he lived upstairs), my own sister belting out “Spanish Eyes” on the organ, and who could ever forget waking up to the tune of the muezzin in Tunisia?

A musician friend, Michael House, has been making a film about us painting the carousel in the Luxembourg Gardens.  We walked around  on the hottest day of the year while Michael took photos of us and the garden.  He’s made films about Eugene Atget and  Berenice Abbot; his film about Somerset Maugham just debuted in the LGBT  film festival in San Francisco.   Ours is a more modest undertaking, for sure.

Today is gay pride day here in Paris.   It’s still gay pride in France, no initials:  there’s a very big parade,  and an all-night party in the Marais.  I am glad I am not living there with my windows open.  I saw a panda bear, who lost the parade route, walking through the Luxembourg Gardens.

We went to coffee with our German-French-American girlfriend, M, today. We  tell each other funny stories over coffee and water (I just cooked up a bunch of fresh sardines, and we drank buckets to counteract).  We laugh out loud at many things, politics, food and the neighborhood.   We talk about the shock of going back to the US and a store clerk actually greeting you; here you stand around until the person working in the store decides to help you.  M lived in New Orleans for many years – “in those days, America was everything:  the dream, the hope, all new and wonderful things came from there.”    

The coffee at the jazz bar downstairs, the Hippocampus, is ok.  The bar recently reverted into the hands of the original owner – this is the fourth time that has happened.  The last operator served such poor coffee and burnt croissants  I just couldn’t patronize the place.   There is something a little awful about a “rental” restaurant:   a gnawing sense of temporariness that doesn’t encourage giving one’s “ all” (plus the Hippocampus  is in dire need of renovation).

Blair and I rent, and growing up in Connecticut, my family always rented an apartment.  In the years before the 1980s, we had landlords who really took pride in the rental apartment.  Anne Healy repapered our kitchen twice while we lived there; the Nelsons put in a new furnace for us while they still shoveled coal.  But something happened and the idea became to milk the maximum  money from the property without investing a cent.  I cringe when I recall my mother’s last years  in a place with leaky windows and holes in the kitchen floor.

Atlas’s house is nearly two kilometers from ours.  We walk there at least twice a day.   There is a bus (actually two) which is helpful when it’s very hot out or we’re carrying supplies.   Atlas sits in his chair awaiting our key in the door, to feed him and take him for a walk.  He rushes to greet us with a big dog smile -- grateful, and such a good sport. 



 Val de Grace (view from Atlas' house)   Laurie Fox Pessemier   Acrylic on linen  16 x 20 inches
Atlas still for 30 seconds    Laurie Fox Pessemier   Acrylilc on wood   10.5 x 13 inches
Atlas still for 10 seconds    Laurie Fox Pessemier   Acrylilc on wood 8 x 13.5 inches